My mind keeps going back to the sight of that sign on the cave floor, warning that someone was watching, the feeling of sacredness I had in the cave, and the sound of chainsaws outside.
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Indigenous peoples have endured rampant assault, starvation and murder for hundreds of years, the fraction which survived are still enduring this paradigm, and the last 4 years are not single-handedly responsible for the injustices these peoples have been faced with, only for allowing business to go on as usual.
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It is difficult to bring a critical eye to such a respected figure in the world of artistic, political and environmental activism. People are complex and therefore so are their artistic productions. I believe that Sebastião Salgado's work exists somewhere between the beneficial and the harmful.
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As a concept, ‘Natural Capital’ is contrary to what environmentalists have been trying to achieve for decades, and it is also contrary to the nature of capital. What is natural for capitalism is maximum profits, not minimum damage.
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Is the arrest of the men who tied another man down to beat him to death what Justice looks like?
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How did indigenous people handle virus-drenched-mosquitoes?
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The problem was not the music, imagery, or movements themselves, but their treatment within our capitalist paradigm in which cultural practices are taken out of context, commodified, trademarked, and sold.
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Violence against Indigenous people is not a natural disaster, and they need not be rescued from it. To be rescued from violence doesn’t end violence, it only keeps certain people temporarily safe.
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This year, in the largest anti-Illegal logging operation in the history of Brazil, in the state with the highest rate of deforestation — Pará — the wood seized was of “native woods of the Amazon biome” and did not correspond with the information declared officially.
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Today, as the cautionary tale that we have become, it’s not too late to start putting this planet back in our sights, even if it means looking at something uncomfortable and un-rescuable.
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Are we giving real support to indigenous peoples, offering their proper place in society and fighting against their still present eradication process? Or are we only concerned with gaining more knowledge for our spiritual evolution, thinking that these spirits are also here for us to use because they are similar to the Europeans ones we know, or even that these spirits could feel honored if we force them into our Witchcraft boxes with European, foreign and white roots?
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We invite you to engage with your community about how the ideas presented here can transform your community and your practice. A land acknowledgment is just the first step of imagining and co-creating a better world where the lands, waters, animals, and human beings can thrive.
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This piece won’t have the pretence of analyzing the myriad of global uprisings and their effectiveness. It will deal critically with the Western gaze over Southern and Eastern movements — without promoting deradicalization. […] More often than not, mass media has been used to manipulate public opinion, and we must be critical, above all, of that which seems to have been catered for us.
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Mapping the roots of Brazil’s most notorious red light district from the Byzantine Empire and WW1.
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If for our Government weapons are more important than schools, perhaps choosing a gun over a book isn’t a matter of choice, but of survival.
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“Truth" is the secular reinvention of God, owned by those closer to the Christian idea of Man.
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On the misogynistic culture of the Armed Forces, colonial attitudes toward Indigenous and Quilombist peoples in Brazil, and a call to action asking women to take up space.
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An account of the day after Brazil’s 2019 presidential inauguration.
Read More![[Un]Conscious Colonialism – Why is “Native Spirituality” a Pagan Genre?](https://images.squarespace-cdn.com/content/v1/5956b911be6594360273ddb0/1542798015948-Z04ZY19BCQ9Y3FI4XM31/andreas-wagner-43674-unsplash.jpg)
Being placed within Paganism for quite a few decades now, the genre of “Native Spirituality” has been a convenience entirely directed by white people.
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